Deep Sahara, the second novel by Leslie Croxford, starts as a deep drive into one man’s psyche, his memories and the loss that grieves him, and then opens up and evolves into a thriller with a breathtaking twist of international dimensions. When the protagonist takes refuge in a monastery deep in the Algerian Sahara to come to terms with his bereavement, he stumbles across the horrific mass slaughter of the resident monks. Surprisingly, he decides to stay on, alone, at the monastery, in complete desert isolation, until the mirage-like appearance of an American woman, and the disturbing observation of genetically defective insect life, lead him down a dangerous path to unmask a global plot. Without spoiling the surprise twists and turns, suffice it to say that the action moves from Alexandria to Algeria to Rome to Germany to the United States. What sets Croxford novel apart is the quality of the writing, the minuteness of the observation, and the moral ambiguity that recalls the best of John Le Carré.
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